Halina has already appeared here on a 2014 post about multiple female artists, but today she deserves a full entry, another Pole legend to grace us with all her talent!
Let’s go to our artist:
Halina Maria Frąckowiak (born April 10, 1947, in Poznań) is a Polish pop/rock singer, composer, and songwriter. She debuted in 1963 at the Young Talents Festival in Szczecin, where she competed with future polish legends such as Czesław Niemen, Zdzisława Sośnicka and Krzysztof Klenczon, and became the winner of the so-called “Golden Ten”.
Then she won further awards at song festivals in Opole and in Kołobrzeg in the years 1969, 1976, 1977, 1988, 1991 and 1993 (!). Working with such bands as Czerwono-Czarni, ABC Group, Tarpany, they launched a plethora of hits throughout the late ’60s and early ’70s.
In 1972 Halina outset in a solo career, it was then that she won the plebiscite for the most popular singer, several times took part in foreign festivals (Ostend, Rostock, Dresden), where she received the most important awards, including “Golden Microphone” of the Polish-American Artistic Agency. Halina has recorded over 20 discs and cassettes, and her concerts have been seen in many places in Europe as well as in the US and Canada. She performed, at the Musical Theater in Gdynia, the Grand Theater in Łódź and Warsaw.
The album Ogród Luizy (Luisa’s Garden) from 1981 was created as a result of Halina Frąckowiak’s fascination with the poetry of Kazimierz Wierzyński, this is the effect of the gradual change of the singer’s repertoire to a more serious and lyrical one conception since its debut with the renowned Idę in 1974. The last decade only saw re-releases of her past records and many live presentations until today, its last record is from 2006.
Let’s go to our album:
Let us present you Halina’s second (and better) entry, a fantastic collaboration between the singer and the almighty prog-trio SBB, here in a way that some fans might not know:
“The three musicians that revolutionized Polish rock” or “Beyond doubt the most prominent representatives of progressive rock in Poland” with these credentials it’s easy to drool out with this magnificent record. The trio changed their groove in some nice ways for the album, mostly known for their long-form, fusion-styled jams, here, they compact that energy into shorter, tighter songs that often have a funky rock style or ambient jazz-pop that draws equally from the vocals in the lead, and from the keyboards of Jozef Skrzek!
Believe me, you don’t want to miss this one…
The ‘IM’ highlights are Wzejdę Polnym Makiem and Śnij Tylko Szczęście.
A1 Jesteś Spóźnionym Deszczem
A2 Myśli Twoje Śnić Zaczynam
A3 Wzejdę Polnym Makiem
A4 Otwieram List – Brązowy Wrzesień
A5 W Powszednie Dni
B1 Śnij Tylko Szczęście
B2 Pieśń Geiry
B3 Chcę Być Dla Ciebie
B4 Brzegi Łagodne
Featuring: Zespół SBB
Backing Vocals: Alibabki
Lyrics By: J. Matej
Music By: J. Skrzek
Design – Rafał Jasionowicz
Engineer: J. Złotkowski, M. Gola
Photography By: Marek Karewicz
Record Company: Polskie Nagrania
Printed By: Łódzka Drukarnia Akcydensowa
Polskie Nagrania Muza – SX 1428