Welcome back to you all! Needless to say, how thrill I am today with this spectacular album, a real kaleidoscope of genres brought you by one of the greatest artists in former Czechoslovakia. Getting to know her better, unfortunately, I noticed that this album was an odd point of alternation in its career, founded basically on Soul Beat and then Pop Folk.
Always side by side with her beloved sister, this unique solo entry has brought us so many colors that I wonder why she gave up on this very bold path. Anyhow, we present this one that should be revered as one of the milestone records from former Czechoslovakia and as if an entire constellation of musicians was not enough, its richness is present, in the arrangements, special participations, multiple orchestras, and lush atmosphere!
Does it look good to you? Because it is much more than you can imagine. Připravit Se!
Let’s go to our artist:

Martha Elefteriadu (September 12, 1946 Bulkes, Yugoslavia) is a Czech singer of Greek origin, half of the duo Martha a Tena, together with her sister Tena. Their family emigrated from Greece because of the Greek Civil War and settled in 1950 in former Czechoslovakia. Their mother died while they were children, so they grew up in orphanages, she spent her childhood with her sister, in many children‘s homes (more than five, actually), which were reserved for Greek refugees, including one in Ivančice.
At the end of the 1960s, the sisters met a guitarist Aleš Sigmund from band Vulkán, who helped them create strong creative and musical foundations. They worked in Vulkán between 1966 and 1970, partly with another sibling couple, Hana and Petr Ulrych.

Their first records are from 1968, in 1970 they released their first LP record with Panton Records Dál Než Slunce Vstává. They quickly established themselves in Czech Pop music also collaborating with many notable artists such as Skupina Aleše Sigmunda, Bob Frídl, Gustav Brom Orchestra, Pavel Novák, and Jiří Suchý. The gals managed to continuously be active reaching stardom throughout the 1970s with countless participations and prizes at festivals, musicals, plays, TV shows, and tours not only within Czechoslovakia. (!)

By the end of the decade, they had already released more than 30 albums and compacts! Ranging between pop-folk and Greek music. Martha later studied psychology, while at the same time devoted yourself professionally to music, since then, both sisters have been the stars of Czech popular music. Martha and Tena enriched Czech culture with their southern temperament and Greek spontaneity. At present, they focus mainly on the interpretation of Greek folk songs, the teaching of Greek dances, cuisine, books and occasionally performing, their latest album came out in 2005, besides greatest hits records and such.
Let’s go to our album:

How to understand a record that did not have a tour, who faced major problems with the censorship, and with modest participation in sales charts could bear the 1981 album of the year by Melodia magazine? Despite all these, (at least the critics seem to get it by the time) Kresby Tuší (Ink Drawings) remains intact by the passage of time thanks to its multiple composers, lyricists, orchestras (!) and gala participation of musicians like Michael Kocáb (arranger), but also by Dežo Ursiny, Vladimír Mišík, Vladimír Merta and Oskar Petr.
Martha delivers us a fabulous variation of art-rock, jazz, fusion, bossa nova, funk and more. It feels lush, dark and dense all over, but it also has its (brief) sunny moments.
The ‘IM’ highlights are Hrál Sis Hrál and Vítám Slunce Ranní.
Tracks Include:
A1 Dvě Kresby Tuší I.
Lyrics By: Pavel Kopta
Music By: Michael Kocáb
A2 Měla Jsem Vždycky Smůlu
Lyrics By: Pavel Kopta
Music By: Dežo Ursiny
A3 Proměna
Lyrics By: Pavel Kopta
Music By: Vladimír Mišík
A4 Hrál Sis Hrál
Lyrics By: Pavel Fiala
Music By: Pavel Větrovec
A5 Výlet Po Řece
Lyrics By: Pavel Kopta
Music By: Michael Kocáb
A6 Kde? Kdy? Já A Ty
Written By: Vladimír Merta
B1 Mám Ráda Běh
Lyrics By: Pavel Kopta
Music By: Michael Kocáb
B2 Melancholická Noc
Lyrics By: Jiří Dědeček
Music By: Michael Kocáb
B3 Vítám Slunce Ranní
Lyrics By: Pavel Kopta
Music By: Dežo Ursiny
B4 Podzimní Odpoledne
Lyrics By: Martha Elefteriadu
Music By: Michael Kocáb
B5 Tohle Že Máš Být Ty?
Lyrics By: Martha Elefteriadu
Music By: Michael Kocáb
B6 Dvě Kresby Tuší II.
Lyrics By: Pavel Kopta
Music By: Michael Kocáb
Musicians
Acoustic Guitar, Harmonica, Vocals: Vladimír Merta (tracks: A6)
Bass Guitar, Contrabass: Ondřej Soukup
Drums: Ladislav Malina, Vratislav Placheta
Electric Piano, Piano, Synthesizer: Michael Kocáb
Guitar: Jiří Špidra, Martin Koubek
Percussion: Jiří Tomek
Harmonica: Ondřej Konrád
Backing Band (Studiová Skupina): Studiová Skupina Michaela Kocába
Oboe: Jiří Kaniak
Flute: Jiří Stivín
Clarinet: František Pušman
Alto Saxophone: Antonín Nachtman, Miroslav Krýsl
Baritone Saxophone: František Kryka
Clarinet, Tenor Saxophone: Jan Kubík
Tenor Saxophone: Bedřich Kuník, Milan Ulrich
Trombone: Jiří Doubrava, Josef Pavelka, Mirko Koželuh, Svatopluk Košvanec
Trumpet: Jiří Hlava, Laco Deczi, Vlastimil Voňavka, Zdeněk Šedivý
Strings: Jan Mráček, Jiří Fišer, Jiří Rajniš, Květomír Řezníček
Strings, Orchestra: Smyčcový Orchestr Oliver Dohnányi
Violin: Jan Hrubý
Vocals: Dežo Ursiny (tracks: B3),
Hana Hostková-Löfflerová (tracks: A2),
Helena Viktorinová (tracks: B5),
Lída Nopová (tracks: A2), Marie Jakoubková (tracks: A2, B5),
Michael Kocáb (tracks: B1), Tena Elefteriadu (tracks: B3)
Conductor (Smyčcový Orchestr Řídí): Oliver Dohnányi
Arranged By: Michael Kocáb
Credits
Cover: Václav Šimice
Engineer: Jan Štěpánek, Petr Podlešák
Photography By: Taras Kuščynskyj
Producer: Ondřej Konrád
Recording Supervisor: Pavel Kühn, Svatoslav Rychlý
Notes
Panton – 8113 0039
Record Company: Panton, Vydavatelství Českého Hudebního Fondu
Recorded At: Studio Smetanova Divadla
Pressed By: Gramofonové Závody
Nahráno ve studiu Smetanova divadla v Praze, 1979—1980

Kafka’s the trial: https://yadi.sk/d/nSlFh8BCgHtEOA
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Thanks a lot
katetoskopio (las galletas de maria)
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A very strange tale – the Elefteriadu sisters….reminding us that, occasionally, Czechoslovakia was a country TO which to escape as opposed to one FROM which to escape! Stars, too, of what I refer to as ‘The Brno Bunch’ of female Pop performers of that era based in that city, along with Helena Blehárová, Alena Tichá, Vlaďka Prachařová, Laďka Kozderková etc.
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