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Tag Archives: breakbeat

Mustafa Özkent Ve Orkestrası – Gençlik Ile Elele (1973)

12 Sunday Oct 2014

Posted by gabaguillar in turkey

≈ 2 Comments

Tags

1973, breakbeat, electronic, ethnic, folklore, funk, fusion, fuzz, improvisation, instrumental, jazz, middle eastern, organ, percussion, pop, psychedelic, rock, traditional, virtuoso

capa cópiaHello people! Last Wednesday (08/10) a novelty happened and we would like to share with everyone, Gary Sullivan, our friend from Bodega Pop made ​​a radio-webcast program of 3 hours, highlighting the qualities of the Interstellar Medium, along with an extensive tracklist. We wanted to thank Gary and each one who participated and supported during the transmission, the link for you to hear the show is available here.

This was an important step to our history, we ALWAYS count on your opinion! And for those who haven’t yet been familiarized with the page or arrived just now, there’s the About to give you some directions, without further ado let’s get to our entry!

Let’s go to our music:

Ferdi Özbeğen Orkestrası, 60's

Ferdi Özbeğen Orkestrası, 60’s

The Turkish Rock movement is believed to have began in the late-50’s with the arrival of The Shadows and developed further during the next decade with the increasing popularity of Western music acts. With coming of The Beatles, small bands sprung up everywhere, this triggered the national newspaper Hΰrriyet to organize a national talent contest under the title Altin Mikrofon (golden mic).

In the 60’s, the youth especially living in big cities were very receptive to new pop music coming from abroad but understandably they also were far from the social impact that this music brought, or we may say a middle-class minority who knew English were aware. Meanwhile, there was an unrest amongst young people which translated into a exciting political climate, not fed by rock music exclusively.

Arda Uskan, John & Yoko, Erkin Koray

Arda Uskan, John & Yoko, Erkin Koray

Of all the musical/cultural scenes that happened along the 60’s, psychedelia was the most effective one in Turkey; it started one year later than USA and Europe but lasted much longer, this music brought a new dimension to Turkish listeners, while the rest of the nation were happy with its oriental overtones, the Turkish music fans found that it was what they felt inside really! So psychedelia influence was at a much different scope than it had on other countries, by 1969 all codes on the birth of a big rock music scene was set and Turkish rock had five more years of prolific kingdom.

After 1975-76, the scene took its toll with changing political, musical and social climates and before 1979 came it was all over (!). The golden age of Anadolu Rock was marked by artists famous until today, such as Baris Manço, Cem Karaca, Edip Ackbyram, Ersen. Bands like Mogallar, 3 Hurel, Erkin Koray and Selda Bagcan.

Baris Manço's Cockade

Baris Manço’s Cockade

Let’s go to our artist:

Mustafa Özkent was a lesser-known but significant figure on the Ankara music scene until his music belatedly found a receptive audience in the West four decades after!

A talented guitarist who was known to modify the design of his instruments to create unusual tonal qualities, he earned a reputation as a gifted maverick and by the dawn of the 70’s was in demand as a session player, arranger, and producer, creating music that fused psychedelic, pop and soul influences with jazz-like improvisations.

Mustafa Özkent

Mustafa Özkent

In 1972, he partnered with Evren Records, a Turkish label known for its audiophile recording techniques, Ozkent booked time at Istanbul’s finest recording facilities, and with a mighty team of musicians he began recording new material dominated by extended percussion jams, hard-grooving organ lines, and funky wah-wah guitars.

The resultant Lp, Genclikle Elele (Hand in Hand with Youth), sounded as if it were designed for hip-hop DJs in search of funky breaks even though it was cut years before the South Bronx scene began to flower! The British Finders Keepers label reissued its masterpiece in 2006, he remains active in Turkey, releasing Dijital Guitar in 2005!

Let’s go to our album:

Cem Karaca's Article

Cem Karaca’s Article

Mustafa went on to invent specially treated guitars with additional frets enabling him to replicate unique notes similar to a saz or lute allowing the musician to emulate the sound of Hendrix’s style wah-wah and fuzz while retaining the versatility of the traditional Eastern sensibilities which ran through many young Istanbul’s veins.

Unlike Zafer Dilek’s entry and its adapted Belly Dance, this time the Turkish folklore really receives a spicy electric treatment, the groove are so infectious that I really doubted it could have come from Turkey. I simply won’t say much about this masterpiece, an instrumental album like Gençlik Ile Elele is virtually unattainable!

The ‘IM’ highlights are: Dolana Dolana and Ayaş.

좋은 여행!

Tracks Include:

A1 Üsküdar’a Giderken

A2 Burçak Tarlaları

A3 Dolana Dolana

A4 Karadır Kara

A5 Emmioğlu

B1 Çarşamba

B2 Zeytinyağlı

B3 Silifke

B4 Lorke

B5 Ayaş

Credits

  • Arranged, Performed: Mustafa Özkent
  • Guitar: Cahit Oben, Mustafa Özkent
  • Organ (Hammond): Umit Aksu

All songs Traditional/Anonymous

  • Recorded at Grafson studios, Istanbul.
  • Originally released on LP in 1973 – Evren Plakları, TÜ 1003

Finders Keepers Records ‎– FKR010LP

Moğollar, Today

Moğollar, Today

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The Corporation – The Corporation (1969)

23 Tuesday Sep 2014

Posted by gabaguillar in usa

≈ 1 Comment

Tags

1969, ballad, blues, breakbeat, chorus, classic, fuzz, garage, harmonica, harp, hippy, improvisation, jam, organ, psychedelic, reed, rock

folderToday we’ll have a short entry, The Corporation might not have done the expected success at its time, but they’re not complete strangers when it comes to psychedelic culture, rediscovered and praised by the bloggers network since the mid-2000s. Therefore, this could be called a B side from a major label (Capitol), with paramount importance if we look at what was being produced back then; bands like The Power of Zeus, Autosalvage, Fifty Foot Hose, Kalacakra, amongst others, somehow failed to achieve national recognition, however, after more than 40 years since their respective releases we can see how ahead of time they were, let’s stick with them!?

Let’s go to our artist:

Formed in Milwaukee in 1968 at Cudahy’s Galaxy Club, where the Kondos brothers joined up with members of an outfit called Eastern Mean Time. Some months later they were heard by Capitol reps at another club The Bastille, which the band had bought into. With a contract for an album the band journeyed to Detroit to record at Tera Shirma studios with producer John Rhys. Even though the record ended up not being a huge commercial success, the band continued to write with hopes of a follow up record on Capitol, this material was eventually spread across two LPs released by Age of Aquarius label, subsequently Get on Our Swing and Hassles in My Mind.

1969 Promo

1969 Promo

Perhaps more extensive touring might have propelled their first album to greater heights, but except for Chicago and St Paul, the band remained local. There were no television appearances, and nothing else to build a greater audience; a European tour was in the plans, but it fell apart along with disagreements with Capitol Records.

Nick Kondos recalls about it: ‘They treat you like kings, they even set you up with the hottest girls, we went to a jam featuring Jimi Hendrix, and then they get the drugs out. But we found out that the album was selling and we didn’t get a penny. We had an argument with Capitol and that’s how the contract ended. Maybe we were a little impatient. You give it everything you’ve got and, if you want to be a star, you have to let them use and abuse you for a while, and THEN worry about the money.’ (!)

Let’s go to our album:

Released in February 1969, with some serious writing on side one by the Kondos brothers, the Lp is notable for the side-long psych rework of John Coltrane’s India, along with heavy fuzz, flutes, harmonica, and vigorous vocals in a trippy overall!

John Coltrane, a Navy Reserve

John Coltrane, U.S. Navy Reserve

Straight and simple, the ‘IM’ highlights are: Smile and India (fantastic).

კარგი მოგზაურობა!

Tracks Include:

A1 I Want To Get Out of My Grave (John A. Kondos, Nicholas A. Kondos)

A2 RIng That Bell (John A. Kondos, Nicholas A. Kondos)

A3 Smile (John A. Kondos, Patrick D. McCarthy)

A4 Highway (Gerard J. Smith, John A. Kondos)

A5 Drifting (John A. Kondos)

B1 India (John Coltrane)

Credits

  • Bass, Backing Vocals: Kenneth Bernard Berdoll
  • Drums, Backing Vocals: Nicholas Alexander Kondos
  • Guitar, Flute, Harp, Piano, Backing Vocals: John Alexander Kondos
  • Lead Guitar, Backing Vocals: Gerard Jon Smith
  • Lead Vocals: Daniel Vincent Pell
  • Organ, Trombone: Patrick Daneil McCarthy

Recorded: Tera Shirma Studios, Detroit

Engineers: Milan Bogden and Les Chasey

Produced: John Rhys

Capitol Records ‎– ST 175

Summer of Love, 1967

Summer of Love, 1967

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Konstantin Orbelyan Orchestra – Государственный Эстрадный Оркестр Армении (Armenian State Estrada Orchestra) [1978]

11 Thursday Sep 2014

Posted by gabaguillar in armenia, USSR

≈ 2 Comments

Tags

1978, ballad, big band, brass, breakbeat, chorus, cinematic, eastern, female, folklore, instrumental, jazz, mellow, orchestrated, organ, pop, reed, soul, vocal

armenia, orchestraThe music of Armenia has its origins in the Armenian Highlands, where people traditionally sang popular folk songs, with a long musical tradition, that was primarily collected and developed by Komitas, a prominent priest and musicologist, in the late nineteenth and early twentieth centuries. Armenian music has been presented internationally by composers Aram Khachaturian, Arno Babadjanian, duduk player Djivan Gasparyan, composer Ara Gevorgyan, pop singer Sirusho, amid others.

One of the oldest types of Armenian music is the Armenian chant, the most common kind of religious music in Armenia, many of these chants are ancient in origin, extending to pre-Christian times, while others are relatively modern, including several composed by Saint Mesrop Mashtots, (simply) Armenian alphabet’s inventor.

Prokofiev, Shostakovich & Aaram Khachaturian

Prokofiev, Shostakovich & Aaram Khachaturian

Under Soviet domination, Armenian folk music was taught in state-sponsored conservatoires, instruments played include qamancha (similar to violin), kanun (dulcimer), dhol (hand drum), oud (lute), zurna, blul (ney), shvi and saz.

Other instruments are often used such as violin and clarinet, and the duduk is Armenia’s national instrument. Traditional Armenian folk music as Armenian church music is not based on the European tonal system but on a system of Tetrachords, the last note of one tetrachord also serves as the first note of the next, which makes Armenian folk music based on a theoretically endless scale. (!)

Traditional Ensemble

Traditional Ensemble

Let’s go to our artist:

Konstantin Aghaparoni Orbelyan (July 29, 1928 – April 24, 2014) an Armenian pianist, composer, head of the State Estrada Orchestra of Armenia. He was a People’s Artist of USSR (1979), Union of Soviet Composers Board member, Armenian Composer’s Union secretary since 1983, Vice-President of All-Soviet Musical Society of the USSR. Also the uncle of his namesake Constantine Orbelian, he has been acknowledged as a pianist and improviser since he was in his early teens.

At age fifteen, he was invited to perform with the Armenian State Pop Orchestra, formed in 1938 in Yerevan, and subsequently became its conductor. Under his able direction for thirty-six years, the Orchestra rose to become one of the most accomplished of its kind. As a result, it came to represent Soviet jazz over thirty countries in Eastern and Western Europe, Near East, Africa, and Southeast Asia!

Konstantin Orbelyan

Konstantin Orbelyan

Graduating in composition and piano from Edward Mirzoyan’s class of composition at Yerevan’s Komitas Conservatory in 1963, Orbelian achieved early recognition for his String Quartet, winning first prize at the International Competition in Moscow, where the chairman of the Competition’s panel of judges was the composer Dmitri Shostakovich. Orbelian’s rising talent and success were noted with great appreciation by the doyen of Armenian music of the time: Aram Khachaturian.

Next followed the premiere of Orbelian’s first symphony in Moscow’s famous Tchaikovsky Hall by the USSR State Symphony Orchestra. For this symphony, Orbelian was awarded the title ‘Laureate of the All-Union Competition’. His ballet symphony Immortality was composed in 1975 and performed by the Yerevan Opera and Ballet Theater. This work, too, won first prize in an All-Union Competition devoted to music stage. One of the Orchestra’s highlights was its American tour (1975) which included twenty-five concerts in major cities from coast to coast. (!)

Live

Live

In the beginning of the 90’s after the collapse of the Soviet Union working with the orchestra and creating music became very difficult. In 1992 Konstantin Orbelian moved to San Francisco, spending his last moments in Los Angeles. Ever versatile in the scope of his repertoire, he has written musical scores for many films and stage musicals, music for theater, not to mention his extensive work in jazz/pop music.

Recently, more than 8 cd’s have been released with compositions for symphonic orchestra, as well as jazz and pop music, with an endless number of awards placing the maestro in one of the highest recognition spots throughout the globe.

Let’s go to our album:

Thanks to the fantastic work of our friends from Soviet Groove, we’ve been able to rediscover the pinnacle of Jazz, Pop and Soul from countries like Armenia, Estonia, Latvia, Georgia, Turkmenistan, Uzbekistan, Azerbaijan, etc. At a time when the Iron Curtain still ruled the old world order, to the surprise of all, great composers/musicians had an exact idea of ​​what the Western world consumed!

Armenian (Bagratid Dynasty) Costume

Armenian (Bagratid Dynasty) Costume

I would go even further, groups like Gunesh, Firyuza, Yalla, Qaya, Sevil, among others, conceived one of the finest meetings between Jazz and Folk music. Our today album are just a first step of a fascinating and little-known aspect of these faraway cultures, mostly supported by legendary Melodiya (Μелодия) label, soon we’ll have an entry solely to this. By now, remain with a great Western-like big-band and վայելել!

The ‘IM’ highlights are: Ты Моя Песня (A5) and Вокализ (B4).

Tracks Include:

A1 Сто Часов Счастья (One Hundred Hours of Happiness)

A2 Твои Следы (Your Footprints)

A3 Назан Яр (Nazan Yar) w/ Larisa Dolina

A4 Восход Солнца (Sunrise)

A5 Ты Моя Песня (You’re my Song) w/ Datevik Hovanesian

B1 Силуэт (Silhouette)

B2 Шум Берез (Noise Birches)

B3 Весенний Экспромт (Spring Impromptu)

B4 Вокализ (Vocalise) w/ Datevik Hovanesian

B5 Спасибо, Жизнь (Thanks for Life)

Мелодия ‎– С60–09733–34

Cafesjian Museum (breathtaking) Vista

Cafesjian Museum (breathtaking) Vista

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R. Pultek – The Voodou Juju Drug (1969)

23 Saturday Aug 2014

Posted by gabaguillar in france, haiti

≈ 1 Comment

Tags

1969, afro, batucada, breakbeat, exotica, exploitation, female, funk, instrumental, library, obscure, oriental, percussion, psychedelic, reed, soul, vocal

capa cópia

Vodou, also spelled Voodoo, Voudou, Vodun, or French Vaudou, it’s an official religion of Haiti, together with Roman Catholicism. Vodou is a creolized religion forged by descendents of Dahomean, Kongo, Yoruba, and other African ethnic groups who had been enslaved and brought to colonial Saint-Domingue (now Haiti) and Christianized by Roman Catholic missionaries in the 16th and 17th centuries.

The word Vodou means spirit or deity in the Fon language of the African kingdom of Dahomey (Benin). European mysticism, Freemasonry, are also in the practise. With an encompassing philosophy, medicine, justice, and religion, its fundamental principle is that everything is spirit, humans are spirits who inhabit the visible world.

Vodou masks

Vodou Masks

The unseen world is populated by lwa (spirits), mystè (mysteries), anvizib (the invisibles), zanj (angels), and the spirits of ancestors and the recently deceased. All these spirits are believed to live in a mythic land called Ginen, a cosmic Africa. (!)

The primary goal and activity of Vodou is to sevi lwa (serve the spirits), to offer prayers and perform various devotional rites directed at God and particular spirits in return for health, protection, and favour. Spirit possession also plays an important role in Afro-Haitian religion, as it does in many other world religions.

Ville Bonheur, Saut Deau (Rituals)

Ville Bonheur, Saut Deau (Rituals)

During religious rites, believers sometimes enter a trancelike state in which the devotee may eat and drink, perform stylized dances, give supernaturally inspired advice to people, or perform medical cures or special physical feats; these acts exhibit the incarnate presence of the lwa within the entranced devotee.

Vodou ritual activity is aimed at refining and restoring balance and energy in relationships between people and between people and spirits of the unseen world!

Haitians take a cleansing dip in the Ma bath (Rituals)

Haitians take a cleansing dip in the Ma bath (Rituals)

Nevertheless, Vodou has often been associated in popular culture with Satanism, Zombies and Voodoo Dolls (sic). Zombie creation has been referenced within rural Haitian culture, but is not a part of Vodou. Such manifestations fall under the auspices of the bokor or sorcerer, rather than the priest of the Loa.

The practice of sticking pins in voodoo dolls has history in folk magic. Voodoo dolls are often associated with New Orleans Voodoo and Hoodoo as well the magical devices of the poppet and the nkisi or bocio of West and Central Africa.

I Walked With a Zombie, 1943 / Jacques Tourneur's masterpieces

I Walked With a Zombie, 1943 / Jacques Tourneur’s classic (in color!)

Let’s go to our artist:

The today’s entry is made with a little doubt, although some sources say that (mightys) Davy Jones and Janko Nilovic are the responsables behind this single, we see no indication on the stamps, unlike other releases from Ju Ju Records label. This one is a bit different (and better) from these releases and we believe that the real credit should be given to another famous arranger and composer: Roland Vincent.

Roland Vincent, is a pianist, conductor, composer, musical arranger known French, among others, for his compositions and arrangements made ​​for Michel Delpech in the years 1960-1970. He is also a composer of musicals Athon, with texts by Jean-Pierre Lang and more than 100 films, TV movies and plays!

Roland Vincent

Roland Vincent

Here he supposed to sign under the pseudonym Reynaldo Pultek! (?)

Let’s go to our album:

‘His works have gained international recognition for their beauty, lyrical scope, and imagination. I am sure that whatever he endeavours in the music industry, he will handle his field with unusual success’ / Quincy Jones. L.A. 1981

Another obscure lo-fi rip, but take further on this exploitation afro-psych party!

¡Qué tengas buen viaje!!

Tracks Include:

R. Pultek – The Voodou Juju Drug (1969)

A The Voodou Juju Drug (Part 1)

B The Voodou Juju Drug (Part 2)

Barclay ‎– 62226

Vodou in Benin

Vodou in Benin

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Ramesh (رامش) – Ramesh (2013)

12 Tuesday Aug 2014

Posted by gabaguillar in iran

≈ 4 Comments

Tags

70's, ballad, brass, breakbeat, clavinet, disco, female, folk, folklore, funk, harmonica, latin, mellow, middle eastern, moog, obscure, percussion, pop, reed, soul, strings, synth, vocal

capa cópia

The 1953 Iranian coup d’état, known in Iran as the 28 Mordad Coup, was the overthrow of the first democratically elected Prime Minister of Iran Mohammad Mosaddegh on 19 August 1953, orchestrated by the United Kingdom’s MI6 (Operation Boot) and the United States’s CIA (TPAJAX Project).

Mossadegh had sought to audit the books of the Anglo-Iranian Oil Company (AIOC), a British corporation (now BP) and to renegotiate the terms of the company’s access to Iranian oil reserves. Upon refusal of the AIOC to cooperate with the Iranian government, the parliament (Majlis) voted to nationalize the assets of the company and then, expel their representatives from the country. (!)

The Military Junta Awaits exiled Mohammad Reza Shah, 1953

The Military Junta awaits Mohammad Reza Shah, 1953

Following the coup, a military government under General Fazlollah Zahedi was formed which allowed exiled dictator Mohammad-Rezā Shāh Pahlavi, the Shah of Iran (Iranian king), to effectively rule the country as an absolute monarch.

By the 70’s, there was growing unrest with the Shah’s autocratic and repressive government along with its infamous police: the SAVAK. In January 1978 the first major demonstrations against the Shah occurred. After a year of strikes, clashes and millions of people on the streets, the country and its economy were paralyzed.

1979 Revolution

1979 Revolution

The Shah fled Iran in January 1979, then Ayatollah Ruhollah Khomeini returned from exile to Tehran to establish the Islamic Republic, becoming the supreme leader.

Let’s go to our artist:

The golden age of Iranian pop music took place on a westernized and liberal Tehran of the 60’s and 70’s. This market offered an unprecedented way of artists for all tastes, the classically-trained Ramesh Azar Mohebbi (November 13, 1946) was part of it.

Playing the serious, quiet marquess in contrast of Googoosh’s languorous pop princess, both singers made the papers every time they changed their haircuts and appeared on TV frequently. Ramesh’s appearance though, was not as gay and colourful like the blond haired and joyfully dancing singer-actress mate!

Iranian Singers (Ramesh, Aref)

Ramesh, Giti, Aref, ?

Ramesh appeared dark haired, with stiffer hairstyles, always with a certain distance, never showing much of her emotions, except a somewhat melancholy of silence.

Belying what Light in the Attic promo-release says about the artist, Ramesh isn’t dead! Iranian Wiki, Youtube (!) and some musical blogs denies the fact. Its last song recording ‘Rumi’ (and album?) comes from 2003. Nowadays, she retired from music business and glamorous spots to devote (only) to its family and daughter. (!)

Let’s go to our album:

I must admit, I’m very thrilled by the artist of today, this compilation by Pharaway Sounds is arguably one of the best, presenting us a very rich scene that was the Iranian pre-revolution period. Other singers will be debuting here soon, ok?!

Ramesh & Aref

Ramesh & Aref

A funky queen whose rich voice sits like a mink coat, twirling it’s melancholy way around long-necked lutes, sleazy Western brass, strings, synths and goblet drums. Luckily, the collection of videos with her ​​performances on TV programs and Festivals are vast! You can appreciate them at the following links, check it out!

The ‘IM’ highlights are: Mondanam Az Bodanet and Aroose Noghreh Poosh.

بن سفر!

Tracks Include:

A1 Nago Na

A2 Goftehgoye Sabz

A3 Zoj

A4 Mondanam Az Bodanet w/ Fereidoon Farrokhzad

A5 Roodkhoneha

A6 Sharm-E Boos-E

B1 Afsoos

B2 Aroose Noghreh Poosh

B3 Asmaar Asmaar

B4 Delakam

B5 Labe Daryaa

B6 Ghoroobaa Ghashangan

Pharaway Sounds ‎– PHS009

Vakil Mosque

Vakil Mosque

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The ‘IM’

Vintage Eastern/Western Pop from the 20th century, without necessarily being psychedelic!

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Multiple Phases Timeline

April 2018
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the latest

  • Dominic Frontiere & His Orchestra – Pagan Festival: An Exotic Love Ritual For Orchestra (1959)
  • Šarlo Akrobata – Bistriji Ili Tuplji Čovek Biva Kad… (1981)
  • Mustafa Özkent Ve Orkestrası – Gençlik Ile Elele (1973)
  • Samira Tawfik (سميرة توفيق) – Ya Marhaban (196x)
  • San Ul Lim (산울림) – Hourglass at Noon (한낮의 모래시계) [1979]
  • Léonie – Le Jardin Anglais / Mozart (1973)
  • Daniela Casa – Societa’ Malata (1975)
  • Pavlos Sidiropoulos (Παύλος Σιδηρόπουλος) & Σπυριδούλα (Spyridoula) – Φλου (Flou) [1979]
  • Osamu Kitajima (喜多嶋修) – Benzaiten (1974)
  • The Corporation – The Corporation (1969)
  • Alla Pugacheva (Алла Пугачева) – Mirror of the Soul (Зеркало Души) [1978]
  • Chrisye – Sabda Alam (1978)

the favs

Tsvia Abarbanel - Soul of The East (1970)
Alice Coltrane W/ Strings - World Galaxy (1972)
Yoshiko Sai (佐井好子) - Taiji No Yume (胎児の夢) [1977]
Yoshiko Sai (佐井好子) ‎– Mikkō (密航) [1976]
Embryo - Embryo’s Reise (1979)
Mustafa Özkent Ve Orkestrası - Gençlik Ile Elele (1973)
Grazia (גרציה) - Grazia! (1978)
Modrý Efekt (Blue Effect) ‎– Nová Syntéza (New Synthesis) [1971]

places

argentina armenia azerbaijan bolivia brazil chango farías gómez chile czechoslovakia egypt france FYROM germany greece greek haiti hungary indian indonesia iran israel italy japan java korean lebanon luis alberto spinetta macedonia nigeria pakistan peru poland rogério duprat russia seattle serbia SFRY shin joong hyun sweden the start turkey turkish uk uruguay usa USSR yemenite

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Utagawa Kuniyoshi

Turkish Seramik

Minoan Fresco

جلجامش ~ Gilgamesh

Sekhmet

פרסאוס ~ Perseus

Colosse de Rhodes

Apsara

Ryūjin

Πανδώρα ~ Pandora

Persik Angel

Popol Vuh Codex

यम धर्मराज ~ Yama Dharmaraja

Il Rotolo Ripley

บาโฟเมท ~ Baphomet

אַלטשעמי בוים ~ Alchemy Tree

Tetragrammaton

Caduceus (Гермес)

Manu Signa Zodiaci

Aristotle

Christ Hypercube ~ Dalí

Da Vinci’s Sketches

ابن رشد ~ Averroes

Epicurus

Giordano Bruno

String Theory

Red Book (Drakonas)

Nikola Tesla

Jung’s Mandala

中國的 Astrologi

Magi

唐寅 ~ Tang Yin

Mata Hari

Maori Capitalis

Zulu Meisies

Tupac Amaro II

Types de l’Orient ~ Kairo

Fidži Ratnika

Types de l’Orient II

Medicine Crow

Inuit

Afrikyan Warrior

भारतीय महिला (India)

Mursi

Mundi

Drake’s Eaquation

Oculus Horus

گل های زندگی ~ Flower of Life

Chakra

La Grotte Chauvet ~ Leonum

Homo Sapiens Sapiens

30.000 BC

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1971
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Utagawa Kuniyoshi
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Mauricio Birabent
Danseuse ~ Early XX
Danseuse ~ Early XX
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Kayapó Tribe
Kayapó Tribe
Jung's Red Book
Jung’s Red Book
The Golden Record
The Golden Record
The Sun Goddess
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Carlos Marighella
Carlos Marighella
Louis Thomas Hardin
Louis Thomas Hardin
Tropicália
Tropicália
A Fossa, Vol. 2
A Fossa, Vol. 2
'Nature Boy'
‘Nature Boy’
Intimidades de Una Cualquiera / 1972
Intimidades de Una Cualquiera / 1972
Nautilus Chart ~ 1513
Nautilus Chart ~ 1513
Anti-War Propaganda
Anti-War Propaganda
Παύλος Σιδηρόπουλος
Παύλος Σιδηρόπουλος
Léon Bakst for Nijinsky
Léon Bakst for Nijinsky
Exotica Queen
Exotica Queen
Prague
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Delegado Cero
Delegado Cero
Erotique Voilée ~ 1933
Erotique Voilée ~ 1933

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Bhagavata Purana (9th / 10th Century)

"While Dhruva Maharaja was passing through space, he saw, in succession, all the planets of the solar system, and on the path he saw all the demigods in their vimanas showering flowers upon him like rain...
He traveled in that way through the various planets, as the air passes freely in every direction. Coursing through the air in that grand and splendid vimana, which could fly at will, he surpassed even the Devas."

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La Nave Del Rock Argento

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Русская Музыка

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'Girls Of The Golden East'

'Girls Of The Golden East' - Female and Female-led Pop Music from the former Eastern Bloc from the late 1960s to the early 1980s

Psych/ Jazz/ Surf/ Garage/ Beat/ Electronica from India and Pakistan

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Your Heart Out

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The Day After The Sabbath

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Zepelim

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Flabbergasted Vibes

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Sangre Yakuza

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มนต์รักเพลงไทย

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Plain and Fancy

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Por Trás Da Vitrola

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GRAVETOS & BERLOTAS

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RUSSIAN ROCK

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Macrocefalia Musical

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JUGO ROCK FOREVER

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50 Watts

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jazztraveler

Música Progressiva

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Meeting in Music

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Deserter's Songs

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ORGY IN RHYTHM

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Passionate Music

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vintage everyday

foreign lavish sounds

PARALLEL REALITIES STUDIO

Turkish Psychedelic Music 2.

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ARAB TUNES الإيقاعات العربية

foreign lavish sounds

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Music from Czechoslovakia, Poland, Hungary and Elsewhere

lady walker

foreign lavish sounds

13

foreign lavish sounds

FLASH STRAP

foreign lavish sounds

Washerman's Dog

Pérolas do Rock'n'Roll

foreign lavish sounds

.::Contramão::. Krautrock, Prog, Fusion and more

foreign lavish sounds

afrobeat, afrofunk, afrojazz, afrorock, african boogie, african hiphop ...

foreign lavish sounds

Cabeza de Moog !

foreign lavish sounds

madrotter-treasure-hunt

foreign lavish sounds

Paleofuture

foreign lavish sounds

BibliOdyssey

foreign lavish sounds

Anatolian Pop Rock Folk Psychedelic 70's

Anatolian Pop Rock Folk Psychedelic 70's

Soviet Groove

foreign lavish sounds

Rockasteria

foreign lavish sounds

Músicas dos Anos 60 - Recordar é Viver

foreign lavish sounds

Discos con Mucho Polvo

foreign lavish sounds

P.Q.P. Bach

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