Moris – Ciudad de Guitarras Callejeras (1974)

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Moris’s reputation is mostly based on his participation in the early days of the Argentine rock movement, however, there is no reason to underestimate this fantastic composer, owner of a powerful voice. His amazing lyrics of social and political nature always guided his not as extensive production. Now considered a living legend among many other major artists, we’ll start by its second album, the mythical 30 Minutos de Vida will be left for later, as well as the famous El Oso and Ayer Nomás themes. Welcome to the world of the Elvis Porteño (only in rock n’ roll attitude)!

Let’s go to our history:

Mauricio Birabent born in 9 November 1942, is an undisputed hero from the genesis of Argentine Rock, better known as Moris, an original inhabitant of the legendary Cueva before the first rockers began to meet there. In 1966 Los Beatniks was born in Villa Gesell, Buenos Aires; after a few months playing at Juan Sebastián Bar they recorded in August what is considered the first single of Argentine Rock: Rebelde

Los Beatniks (Inflamable!)
Los Beatniks (Inflammable!)

To promote the song, the band rented a truck and performed live on the streets of Buenos Aires, something unusual for the time! Soon after, by the lack of attention they received, the group disbanded and groups like Manal and La Barra de Chocolate arise. In the same year, he starts his solo career. By 1967, Moris was in TNT studios while Los Gatos were recording, in one of the intervals, he manages to record a couple of tracks, those tapes would serve for the basis of their first album which is published two years later by Mandioca label: 30 Minutos de Vida.

With appearances from Pappo and Claudio Gabis, this was an eclectic album that blended the music he loved best, tango, rock, blues, and jazz. (!)

Live, 1970
Live, 1970

By the end of 1973, Moris published a book of photos, poems and lyrics called Ahora Mismo, subsequently, Talent label reissued his Lp with an extra cut (Juan, El Noble Caballero) and a different fold-out cover. Ciudad de Guitarras Callejeras, was released the following year. For this second album, released in July 1974, Litto Nebbia and Ciro Fogliatta were attended, it contained a theme that later would become a classic: Mi Querido Amigo Pipo, dedicated to journalist Pipo Lernoud. On 13 and 14 September, 1974 Moris starts the official presentation of the Lp in the Astral theater, with Beto Satragni (bass) and Ricardo Santillan (drums).

Primer Galán
Primer Galán

The lack of work, continuity, and fundamentally social and political unrest that Argentina lives in 1975 motivates him to migrate to Spain, where he and Aquelarre demonstrate that it was possible to sing rock in Spanish. Consolidated there, he edits Enrocate and Fiebre de Vivir with which obtained great success.

Briefly, in April 1980, Moris returns to Argentina to present his album and performs three concerts at Obras Stadium. Returning to Spain, Modern World is released.

Moris, 80s
Moris, 80s

Moris returned again on March 21, 1981, to perform and record a live album called Las Obras de Moris. After a few albums released throughout the 80s, his career slowed down, with collections and some unpublished material during the 90s and 2000s. Recently, alongside his son Antonio Birabent, they filled the Auditorium Theatre of Mar del Plata, to release a collaborative album: Familia Canción.

With ten new songs, composed and written by both.

Let’s go to our album:

This was his first album for RCA, who was very reluctant to sign Moris for his constant outbursts but was convinced by Lito Nebbia who also helped Birabent playing bass on most of the disc. Litto was just one of the figures in this album, which also includes another ex-gato, Ciro Fogliatta in piano and Rodolfo Alchourrón in its ubiquitous string arrangements. This is perhaps his most well-produced album, properly dressed as instrumental, more rock and less bleak and raging that previous 30 Minutos de Vida.

Moris & Antonio Birabent
Moris & Antonio Birabent

The ‘IM’ highlights are Rock de Campana, a basic rock n’ roll to envy the most conservative, simply straightforward, with a tight band and beautiful chorus, with lyrics that honor the town of Campana. And El Mendigo de Dock Sud, with a gloomy start, the song develops in a melancholy and exciting way, Moris tells the story of a beggar, his past and secrets over the creek; with lovely harmonies, high-pitch backing vocals and one of the most beautiful endings that have hitherto been presented so far!

Un disco bien porteño de nuestro juglar urbano, राम्रो यात्रा!

Tracks Include:

A1 Mi Querido Amigo Pipo

A2 Rock de Campana

A3 Muchacho Del Taller Y La Oficina

B1 El Mendigo de Dock Sud

B2 Tengo 40 Millones

B3 A Veces Estoy Cansado

B4 Cabalgando Por El Campo

B5 Si Te Tocaran El Timbre

B6 De Aquí Adonde Iré

RCA Vik ‎– LZ1264

Guitar, Vocals – Moris

Piano – Ciro Fogliatta / Daniel Russo (De Aquí Adonde Iré)

Drums – Ricardo Santillán

Bass – Daniel Russo / Litto Nebbia (De Aquí Adonde Iré)

Chorus – Victor Gomez, Rubén Parra, Moris

Guests

Drums – Corre López (Si Te Tocaran El Timbre, A Veces Estoy Cansado)

Bass – Ricardo Jelicie (Idem)

Tumbadora – Lalo Fransen

Arrangements – Moris

String Arrangement – Rodolfo Alchourrón

Produced by – Horacio ‘Gordo’ Martinez

Rio Paraná, Extension
Rio Paraná, Extension

Aguaturbia – Psychedelic Drugstore (1970)

Controversial Cover
Controversial Cover

Operation Condor was a campaign of political repression and terror involving intelligence operations and the assassination of opponents, officially implemented in 1975 by the right-wing dictatorships of the Southern Cone of South America. The program was intended to eradicate communist or Soviet influence and ideas and to suppress active or potential opposition movements against the participating governments. Due to its clandestine nature, the precise number of deaths directly attributable to Condor is highly disputed, estimates are that at least 60,000 deaths can be attributed to it. (!)

Condor’s key members were the governments in Argentina, Chile, Uruguay, Paraguay, Bolivia, and Brazil. The United States along with the CIA provided technical support and supplied military aid to the participants until at least 1978, and again after Ronald Reagan became president in 1981.

By Lattuf
By Lattuf

Chile. This alliance of terror was the icing on the cake that was already being prepared since the beginning of the 60s. The 1964 presidential election of Eduardo Frei Montalva (Christian Democrat), made the country embarked on a far-reaching social and economic programs, particularly in education, housing, and agrarian reform, including rural unionization of agricultural workers.

By 1967, however, Frei encountered increasing opposition from leftists, who charged that his reforms were inadequate, and from conservatives, who found them excessive. At the end of his term, Frei had not fully achieved his party’s ambitious goals.

After three attempts to run the country, Salvador Allende finally succeeded on September 4, 1970 elections with a narrow plurality of 36%, the candidate from the Unidad Popular (Popular Unity) became the first Marxist president of a Latin American country through open elections. The Chilean way to socialism was finally tangible: the nationalization of industries (Copper Mining), income redistribution, collectivization and economic-diplomatic approach with the socialist/communist countries, promised to break all the obstacles from the status quo, leading to a more equal life.

Allende Elected
Allende Elected

But the socialist dream did not last long, an economic depression that began in 1972 was exacerbated by capital flight, plummeting private investment, and withdrawal of bank deposits in response to Allende’s socialist program. Production fell and unemployment rose, simultaneously, opposition media, politicians, business guilds and other organizations helped to accelerate a campaign of domestic political and economical destabilization, some of which was helped by the United States (sic).

By early 1973, inflation was out of control.

Revolutionary Poster
Revolutionary Poster

The crippled economy was further battered by prolonged and sometimes simultaneous strikes by physicians, teachers, students, truck owners, copper workers, and the small business class. On 26 May 1973, Chile’s Supreme Court, which was opposed to Allende’s government, unanimously denounced the Allende disruption of the legality of the nation. Although illegal under the Chilean constitution, the court supported and strengthened Pinochet’s seizure of power. A failed attempted coup occurred in June, known as Tanquetazo helped to accelerate the process.

On September 11, 1973, Chile would go into his darkest period of its history, a military junta led by General Augusto Pinochet, took over control of the country and overthrew Allende. As the armed forces bombarded the presidential palace (La Moneda) Allende made its last speech and apparently committed suicide. The first years of the regime were marked by many human rights violations. On October 1973, at least 72 people were murdered by the Caravan of Death. At least 2,115 were killed, and at least 27,265 were tortured (including 88 children younger than 12 years old). (!!)

La Moneda Under Attack
La Moneda Under Attack

A hallmark of terror was the countless detainees kept in the National Stadium, one of those tortured and killed was a teacher, theatre director, poet, singer-songwriter and political activist Victor Jara. He was brutally tortured, fatally shot in the head and its body was later thrown out into the street of a shantytown in Santiago.

Site of Torture / Death
Site of Torture / Death

This is obviously a small summary of a much more complex situation, Patricio Guzman’s The Battle of Chile develops into three parts the full details of the story, check it!

Let’s go to our history:

Aguaturbia was a unique experience in the history of rock, even today his name is associated with the roots of the movement in Chile. With a hippie inspiration, psychedelic characteristic and recognized authentic imitation in style and appearance of musicians like Jimi Hendrix and Janis Joplin were the ingredients that gave life to this quartet, perhaps the first local cult band. Its existence did not exceed five years and never achieved massive success, however, both musical quality and the irreverence of his discourse are recognized today as forces managed to shake Chilean society.

1970
1970

Established in May 1968, at the height of the 60s new libertarian tendencies, their leader Carlos Corales, was one of the most important guitarists of the local environment (The Tickets, Pat Henry and The Blue Devils and Los Jockers), which together with Denise on vocals, Willy Cavada on drums and Ricardo Briones on bass, shaped a band that never stopped looking at what the U.S. and England produced to expand his blues-rock and psychedelic music.

Denise, whose real name is Climene Puleghini Solis was a young Brazilian from higher sectors of society, fascinated with R&B and rock, despite having no musical training whatsoever. His parents did not authorize his bold idea of ​​forming a rock band with her boyfriend, and, to that refusal, she married with Corales!

Controversial Cover 2
Controversial Cover 2

They started playing covers in small clubs in Santiago, but eventually were encouraged in their own compositions (sung in English, like most local rock bands of the time). The themes concerning love, peace and the defense of their appearance held their debut album in 1970. Before recording, Corales traveled to the U.S. to buy new instruments.

However, this well-planned debut, recorded in just three days, would get sparks between the public, though not precisely for its musical arguments. Aguaturbia’s cover showed the four musicians naked, sitting in a circle with a neutral expression on their faces.

1973 Comeback
1973 Comeback

The album, released under the RCA label, had an acceptable sale and just a few months later, they released his successor Aguaturbia II (or Aguaturbia Volume 2), which created a new uproar, this time, for a photograph that appeared Denise crucified, inspired by Dali’s (magnificent) Christ of Saint John of the Cross.

The controversy was mixed with political and social upheavals from Popular Unity (Allende’s party) and the activity of the group lowered its intensity.

Carlos: ‘There came a very strong rejection of certain people, who even wanted to excommunicate us. Suddenly, there were these folks who wanted to beat us and cut our hair. They shouted fags, drug addicts! We played a time of change that was terrible in many ways. If the first album censorship failed to say anything, in the second, it was a complicated situation. Imagine a woman on the cross, is something very special.’

Pinochet + The Junta
Pinochet + The Junta

On late 1970, after been invited to participate in the famous Red Rock festival in Santiago (due to the general chaos that afternoon did not even get onto the stage), the band decided to try his luck in the U.S. They settled in New York to work and study, and formed a group called Sun, where his music was welcomed in some quarters and allowed them to survive. The band returned to Chile in 1973, with a different formation, after participating at the Viña del Mar festival the band finally ends in mid-74.

Let’s go to our album:

This 1993 re-release containing songs from the (only) two albums, helped to revive the interest of its music not only in Chile. The re-issue from the albums are now available via Light in The Attic site and since the mid-2000 Aguaturbia made its comeback to Chilean stages with the same energy from that era. Unfortunately, the drummer Willy Cavada died of a heart attack on early October 2013. (RIP)

Denise Nowadays
Denise Nowadays

After this long post, the ‘IM’ highlights for this HEAVY psychedelic-blues band are: Somebody To Love and Aguaturbia, don’t miss this little gem.

Bonan Vojaĝon!

Tracks Include:

1 Somebody To Love (Darby Slick)

2 Erotica (Carlos Corales)

3 Rollin’ ‘N’ Tumblin’ (M. Water)

4 Ah Ah Ah Ay (Corales, Cavada)

5 Crimson & Clover (Tommy James, Peter Lucia Jr.)

6 Heartbreaker (Page, Plant, Jones, Bonham)

7 Blues On The Westside (Nick Gravenites)

8 Waterfall (Carlos Corales)

9 E.V.O.L. (Carlos Corales)

10 I Wonder Who (Carlos Corales)

11 Aguaturbia (Carlos Corales)

Bass: Ricardo Briones

Drums: Willi Cavada

Guitar: Carlos Corales

Vocals: Denise Corales

Background ‎– HBG 122/15 (1993)

Today
Today